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Robert Frank’s music spans many mediums and genres. His orchestral works have been performed in Carnegie Hall in New York, the Sydney Opera House in Australia, The Palacio de Bellas Artes in Mexico City, the Mozarteum at the opening of the Salzburg Summer Music Festival, Church of St. Augustin in Paris, the Kremlin in Moscow and Caruth Auditorium at ÌìÃÀ´«Ã½. His electro-acoustic music (“EA”) has been featured in prominent computer music concerts throughout the U.S. and abroad in Beijing, Hong Kong, the rain forests of Costa Rica, festivals in the Ukraine and Kazakhstan, the planetarium at the University of North Texas, Dan’s Bar in Denton, TX, and many other interesting venues. His concerto for Yamaha Disklavier (computer controlled grand piano) with live soloist and orchestra, , was featured as one of two works for computer and orchestra at the 2006 International Computer Music Conference, a recording of which features ÌìÃÀ´«Ã½ Meadows Dean Sam Holland on piano.

Many of Frank’s works make use his process of “intentional misquotation” and classical mash-up. (For, as Dr. Who put it: “What good is a quote if you can’t change it?”) His works combine foundational principles of music cognition with varying use of alignment to a common pulse and repetition to form . 

Frank’s music is published by and and recorded on several CD labels. He is also author of Beyond the Common Practice: Concepts and Performance Practices for Contemporary Instrumental Music (Linus Publications, Deer Park, N.Y.) and is co-author with Kenneth Metz of  (Routledge, New York, London, 2010). His research is in the field of use of . Details of all these activities may be found on his .

Artistic Statement:

As a composer, I am guided by two principles: “Whatever you do, do it by intent, not out of ignorance,” and “Write music that you yourself really like to listen to.” I seek to instill these principles in my students while encouraging them to become creative, confident, competent and equipped for happiness and success after graduation.

Teaching:

Dr. Frank teaches courses in Electro-Acoustic Music, Film and Game Music, Orchestration, Music Theory and private composition. He is director of the ÌìÃÀ´«Ã½ Electronic Music Studio (ÌìÃÀ´«Ã½ EMS) and co-ordinates game and film music collaboration.

Links to some of his compositions:

• (2018) – Commissioned by the Meadows Wind Ensemble, Jack Delaney, Dir.
• (2015) for choir and organ – Commissioned by the ÌìÃÀ´«Ã½ Perkins Sacred Music Department
• (2006) – Commissioned by the Meadows Symphony Orchestra
• (2005) for chamber string orchestra
• (1999) – Commissioned by Voices of Change
• (1999) – Acousmatic Computer Music